[August 27, 1891] |
1. Rightly or wrongly, before a stroke of work was done, the undertaking was officially declared not to be aimed at anything with the slightest likeness to “an urban park,” but as intended primarily to provide a basin, unfortunately required in the locality, for dirty water, and, secondly, to form this basin in such a manner that it would plainly appear to be, what in fact it would be,—the restoration to decency of a tract of degraded fen-land, about which a city was threatening to grow.
2. Richardson’s work at North Easton was conceived after he had examined two works of rough-hewn stones and boulders, built in Central Park twenty years before. (This upon the point of following a fashion set by him.)
3. Richardson’s Boylston bridge was planned (in so far as the “single,
[383]simple, sweeping arch” is concerned) by the landscape designers of the Fens, in a drawing bearing date 1879, the height and span being designated.
4. Richardson’s first drawing, made in 1882, for that bridge, closely follows memorandum drawings prepared by the landscape designers of the Fens, in which drawings, the outline of the arch; its full plan, elevations and cross sections; the batter of the wall;—in short, every important feature except the tourelles and the shape of the coping of the parapet,—had been prescribed as fundamental landscape requirements of a bridge in that locality.
5. Richardson’s design for this bridge proposed, as his drawing, submitted to the Commission, showed, that it should be faced with boulders. Richardson examined a quantity of boulders owned by the city, with a view to their being used in it. His design in this respect was changed, upon the advice of City Engineer Wightman, who was made responsible for the stability of the structure. (Mr. Richardson was in Europe when the arch was built and it was built under the superintendence of Mr. Wightman, not of Mr. Richardson’s office assistants.)
6. The other construction in the Fens spoken of in your Majesty’s article is at a place where the landscape design required that a road should pass at as low an elevation as possible, in order that, from certain points, the
Agassiz Bridge, Back Bay Fens, Boston, Photograph by Detroit Publishing Company
7. The design of this bridge has not yet been carried out. The entire road being built over a deep morass, several years have been allowed for its settlement. An order was given for restoring grades and going on with the work, several weeks ago, and the stone is now being cut for it. When the structure is complete, and after time for growth has been had, the amount of low foliage, screening the boulders, will be double what it is now. The structure will then be a perfectly strong, but inoffensive, means of allowing the waters of the Fens to pass under a road without interruption of vision over low masses of verdure. Q.E.D.
8. It is one thing to use the handiest stone in the vicinage in an undressed condition, to form blocks for sustaining and guiding into picturesque attitudes, climbing, creeping, twining, draping and veiling forms of foliage, and quite another to use it with the affected and parroting motives which your Majesty justly characterizes. It will nowhere appear that your servant has ever used it in the manner that you impute to him, nor will it be found that he has followed any fashion in his use of it; on the contrary, it will be found that fashion staggered years behind him.
9. The rough stone walls, (every particle of them taken off the neighboring fields and built up from an existing irregular ledge of rough rock), were no sooner laid than creepers were planted to cover them and they, with their accessories, are already half hidden under their fluttering foliage. Respectfully submitted that this does not show that such a construction was adopted because of a fashion of displaying rough stone, but rather because the beauty of the designed sheets of foliage is thought to be better exhibited, and to have a more natural effect when thus disposed over a backing of rough and deeply crannied, rather than of flat and dressed stone.
10. Mr. Richardson not only countenanced, approved and cooperated
[385]
Rough Stonework, Overlook Steps, Franklin Park, Boston
Richardson was thus apparently much less in sympathy with your Majesty’s views in this respect than your Majesty’s most obedient, humble servant.